George Brookshaw (1751-1823), Plate XXXVIII. [Necatrine] Homerton's White, Ford's Black, Italian Polar Maps this portfolio was the culminationof

this portfolio was the culminationof Catlin’s years of travel

and the rich trade opportunities so valued by Europeans

Publisher's slip advertising binding options tipped-in to first text leaf (without the dedication leaf found in some copies)

the knocker is not original to the door

Paris: 1632

George Brookshaw (1751-1823), Plate XXXVIII. [Necatrine] Homerton's White, Ford's Black, Italian Polar Maps this portfolio was the culminationofGeorge Brookshaw (1751 1823) Plate XXXVIII. [Necatrine] Homerton's White, Ford's Black, Italian Pomona Britannica London: 1804 1812 Hand colored aquatint engravings The publication of the Pomona marked the re emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. A successful cabinetmaker with the patronage of the Prince of Wales, Brookshaw suddenly disappeared from view in the mid 1790s, and with the